F For Frame
In this series I analyze the way in which apparently neutral formal choices, such as camera movements, blocking, the frequency of close-ups and so on, can deeply influence the meaning of a film.
I mainly analyze the poetics of directors.
Authors covered include Edward Yang, Quentin Tarantino, Juzo Itami, Wes Anderson, Paul Thomas Anderson, Francis Ford Coppola, Park Chan-wook and Wong Kar-wai.